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4. Organizing Frames and Layers - Flash CS6: The Missing Manual [Book]
Identify legal and ethical considerations for using third-party content, such as copyright, permissions, and licensing. Key Terms: Creative Commons, public domain, intellectual property, derivative work, commercial use, attribution, work for hire, fair use, fair dealing, stock images, etc.
Identify when and how to obtain permission to use images of people and locations. Key Terms: model release, location release, etc. Demonstrate knowledge of digital image terminology. Demonstrate knowledge of how color is created in digital images.
RGB vs. Communicate visually by using the elements and principles of design and common design techniques. Key Terms: font, size, style, color, alignment, kerning, tracking, leading, horizontal and vertical scale, line length, etc. Key Terms: aspect ratio, rule of thirds, foreground, background, color, tone, contrast, framing, depth of field, field of view, white balance, etc.
Official guidelines 2. Set appropriate document settings for printed and onscreen images. Create a new document preset to reuse for specific project needs. Identify and manipulate elements of the Photoshop interface. Key Concepts: Options bar, menus, panels, toolbar, artboards, etc. Organize and customize the workspace. Key Concepts: tabbed documents; showing, hiding, nesting, and docking panels; saving and resetting workspaces; shortcuts and menus; etc.
Configure application preferences. Navigate a document. Key Concepts: panning, zooming, rotating canvas, etc. Use rulers. Key Concepts: showing and hiding rulers, changing the measurement unit on rulers, etc.
Use guides and grids. Open or import images from various devices. Key Concepts: file, camera, scanner, etc. Place assets in a Photoshop document. Key Concepts: embedded, linked, copy and pasted, etc. Use the Adobe Camera Raw interface to import images. Set the active foreground and background color.
Key Concepts: Color Picker, swatches, Eyedropper tool, hexadecimal value, etc. Create, customize, and organize gradients. Key Concepts: Gradient panel, editing color and transparency stops, gradient options i.
Create, edit, and organize swatches. The adjustment is based on how close a color is to one of the options in the Colors menu. The Details property group provides an alternate interface for adjusting colors and matches the properties shown in the Timeline panel.
You can also adjust the overall contrast of an image. The default settings are for fixing images with backlighting problems.
Auto Amounts. If this option is selected, the Shadow Amount and Highlight Amount values are ignored, and amounts are used that are automatically determined to be appropriate for lightening and restoring detail to the shadows. Selecting this option also activates the Temporal Smoothing control. Shadow Amount. The amount to lighten shadows in the image.
This control is active only if you deselect Auto Amounts. Highlight Amount. The amount to darken highlights in the image. Temporal Smoothing can result in smoother-looking corrections over time. If this option is selected, frames beyond a scene change are ignored when surrounding frames are analyzed for temporal smoothing.
The higher you set this value, the less the effect affects the clip. The range of adjustable tones in the shadows and highlights. Lower values restrict the adjustable range to only the darkest and lightest regions, respectively.
Higher values expand the adjustable range. These controls are useful for isolating regions to adjust. Specifying a value that is too large for a given image may introduce halos around strong dark to light edges. The default settings attempt to reduce these artifacts. These halos may occur if the Shadow or Highlight Amount value is too large; they can also be reduced by decreasing these values.
Shadow Radius and Highlight Radius. The radius in pixels of the area around a pixel that the effect uses to determine whether the pixel resides in a shadow or a highlight. Generally, this value should roughly equal the size of the subject of interest in the image. Color Correction. The amount of color correction that the effect applies to the adjusted shadows and highlights. For example, if you increase the Shadow Amount value, you bring out colors that were dark in the original image; you may want these colors to be more vivid.
The higher the Color Correction value, the more saturated these colors become. The more significant the correction that you make to the shadows and highlights, the greater the range of color correction available. Midtone Contrast. The amount of contrast that the effect applies to the midtones.
Higher values increase the contrast in the midtones alone, while concurrently darkening the shadows and lightening the highlights. A negative value reduces contrast. The Tint effect tints a layer by replacing the color values of each pixel with a value between the colors specified by Map Black To and Map White To. Pixels with luminance values between black and white are assigned intermediate values.
Amount To Tint specifies the intensity of the effect. This effect is GPU accelerated for faster rendering. The Tritone effect alters the color information of a layer by mapping bright, dark, and midtone pixels to colors that you select.
The Tritone effect is like the Tint effect, except with midtone control. The Vibrance effect adjusts saturation so that clipping is minimized as colors approach full saturation. Colors that are less saturated in the original image are affected by the Vibrance adjustments more than are colors that are already saturated in the original image. The Vibrance effect is especially useful for increasing saturation in an image without over-saturating skin tones.
The saturation of colors with hues in the range from magenta to orange is affected less by Vibrance adjustments. To affect less-saturated colors more than more saturated colors and protect skin tones, modify the Vibrance property. To adjust the saturation of all colors equally, modify the Saturation property. The Video Limiter effect clips video signals to legal ranges in the project working space.
For broadcast, these ranges are measured in IRE units. You can limit the chrominance and luminance values of the video signals to meet broadcast specifications. You can apply it to individual layers, or to an adjustment layer to limit your entire composition. You can use the Video Limiter effect instead of the similar but older, 8-bpc-only Broadcast Colors effect. Legal Notices Online Privacy Policy. Buy now.
User Guide Cancel. Third-party effects in this category included with After Effects:. Lumetri Color effect. This effect works with 8-bpc, bpc, and bpc color.
Selective color adjustment with the color correction curves. RGB curves. RGB Curves let you adjust luma and tonal ranges across the clip using curves. The master curve controls the Luma. Initially, the master curve is represented as a straight white diagonal line. The upper-right area of the line represents highlights and the lower-left area represents shadows. Adjusting the master curve adjusts the values of all three RGB channels simultaneously. You can also choose to selectively adjust tonal value only for Red, Green, or Blue channels.
To adjust different tonal areas, add control points directly to the curve. Click directly on the curve line and then drag the control point to adjust a tonal area. Dragging a control point left or right increases or decreases the contrast. Hue saturation curves. Hue versus Hue - Select a color hue in the image and change it to another hue.
Hue versus Saturation - Change the saturation of a color in the image. Hue versus Luma - Adjust the brightness of a color in the image. Saturation versus Saturation - Select and adjust the saturation range within the original saturation of an image. Luma versus Saturation - Select a luma range and adjust its saturation. Set up Hue Saturation curves. Selectively color grade your footage.
Click the eyedropper for the curve that you want to use. Drag the control points to adjust any of the color curves. When you selecting another color with the eyedropper, it adds additional three points to the graph. You can also create control points by clicking the curve. To delete a point, use Cmnd-click Mac and alt-click Win.
Double-click any point to clear all points from the graph. Press the Shift key while you select a point on the graph to lock a control point at thier current hue. Drag the center control point up or down to raise or lower the output value of the selected range.
For example, you can use the Hue versus Sat curve to select a green range; dragging up increases the saturation of that range of green colors in your video, while dragging down reduces the saturation. While moving a control point, a vertical band appears to help you judge your final result. It is useful in the Hue versus Hue curve, where it can be tricky to judge the resulting hue. For example: you want to fine-tune the orange color which looks like a pale yellow.
You can use the Hue versus Hue curve to select a range of orange colors. With the center control point selected the vertical indicator shows you that pulling down shifts the pale yellow towards orange. Examples to illustrate the hue saturation curves. Hue versus Saturation - Adjust the saturation of pixels in a selected hue range.
Useful for saturating or desaturating specific colors. For example, in the image, this curve has been used to increase the saturation levels of the image making the girl look less pale. The saturation of the blue sky and the light has also been increased to make the image look warmer. Hue versus Hue - Adjust the hue of pixels in a selected hue range.
Useful for correcting colors, for example, the curve is used to change the hue of the dress of the girl. This curve is useful for tasks like changing red to orange, or in fixing pale skin. Hue versus Luma - Adjust the luminance of pixels in a selected hue range.
Useful for emphasizing or deemphasizing isolated colors, such as making blue skies darker or a purple flower brighter. In the example, the pale blue sky and its reflection in the water below has been darkened to add more drama to the image. Luma versus Saturation - Adjust the saturation of pixels in a selected luminance range. Useful for saturating or desaturating highlights or shadows.
In this example, this curve is used to slightly increase the blue tones within the luma. Saturation versus Saturation - Adjust the saturation of pixels in a selected saturation range. Useful for bringing colors into legal range, such as compressing highlights or shadows. Auto Color and Auto Contrast effects. These effects work with 8-bpc and bpc color.
Auto Levels effect. Broadcast Colors effect. This effect works with 8-bpc color. How to reduce signal amplitude:. Reduces the brightness of a pixel by moving it toward black. This setting is the default.
Change Color effect. The Change Color effect adjusts the hue, lightness, and saturation of a range of colors. The amount, in degrees, to adjust hue. Positive values brighten the matched pixels; negative values darken them. The central color in the range to be changed. How much colors can differ from Color To Change and still be matched. Inverts the mask that determines which colors to affect. Change To Color effect. The center of the color range to change. Which channels the effect affects.
Change By. Use the View Correction Matte option to better identify which pixels are matched and affected. Channel Mixer effect. Color Balance effect. Color Balance HLS effect. Color Link effect. Specifies what values are sampled and what operation is performed on them. The effect places a stencil of the original alpha channel of the layer over the new value. Color Stabilizer effect. Set Frame. What to stabilize:. Brightness is stabilized using one sample point Black Point.
Color is stabilized using two sample points Black Point and White Point. Black Point. Place this point on a dark area to stabilize.
Mid Point. Place this point on a midtone area to stabilize. White Point. Place this point on a bright area to stabilize. Sample Size. Israel United States. Namespaces Article Talk. Views Read Edit View history.
Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. A screenshot of Adobe Animate running on Windows. FutureWave Macromedia. Windows 10 version and later, macOS Trialware software as a service. Initial version of Flash released in May, with basic editing tools and a timeline. The name "Flash" was created by blending the words Future and Splash.
Released with Flash Player 4, new features include a redesigned user interface, internal variables , an input field, improved timeline smart guides, outline color mode , advanced ActionScript, publish settings panel and MP3 audio streaming. Released with Flash Player 5, new features include pen and sub-selection tools, ActionScript 1.
Released with Flash Player 7, new features include screens forms for non-linear state-based development and slides for organizing content in a linear slide format like PowerPoint , small font size rendering, timeline effects, updated templates, high-fidelity import and video import wizard. Released with Flash Player 8, new features include graphical filters blur, drop shadow , glow, etc. Flash CS3 is the first version of Flash released under the Adobe brand name, and features improved integration with Adobe Photoshop , enhanced Quicktime video export, filter and motion tween copy-paste support, improved vector drawing tools becoming more like Adobe Illustrator and Adobe Fireworks.
Flash CS4, released in September 23, , introduces a new object-based motion-tween, renaming the former frame-based version as classic tween.
Additions include basic 3D object manipulation, inverse kinematics bones , a vertical properties panel, the Deco and Spray brush tools, motion presets and further expansions to ActionScript 3.
CS4 allows the developer to create animations with many features absent in prior versions. Flash CS5 was released in April 12, , and launched for purchase on April 30, Flash CS5 Professional includes support for publishing iPhone applications. Flash Professional CS5.
It includes improved support for publishing iPhone applications, following Apple's revision of their iOS developer terms. Some examples are content scaling and stage resizing, copy and paste layers, sharing symbols across FLA files, symbol rasterization, incremental compilation, auto-save and file recovery, and integration with CS Live online services. Adobe Flash Professional CS6 was released in It includes support for publishing files as HTML5 and generating sprite sheets.
Pencil tools allow the user to draw and edit freehand lines. Illustrator Draw is a free-form vector drawing app for Android and iOS users. Drawings made with the Illustrator Draw app can be exported to the desktop programs of Adobe Illustrator. From Wikipedia, the free encyclopedia. Vector graphics editor from Adobe Inc. Adobe Inc. October 26, Retrieved October 29, Retrieved December 4, September 20, Archived from the original on October 20, January The Nelson Group, Inc.
Archived from the original on May 30, Retrieved April 26, April 15, Retrieved February 11, October 18, Archived from the original PDF on May 24, Retrieved February 8, November 7, Adobe Systems. December 5, Archived from the original on December 19, Retrieved December 29, John Nack on Adobe.
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Adobe animate cc layer opacity free.Adobe Illustrator
Transparent Backgrounds with Adobe Animate
Blend modes let you create composite images. Compositing is the process of varying the transparency or color interaction of two or more overlapping objects. Blending lets you create unique effects opacty blending the colors in overlapping movie clips.
Result color. Replaces adobe animate cc layer opacity free the areas that are lighter than the blend color. Replaces only pixels that are darker than the blend color. Multiplies or screens the colors, depending on the blend mode color. The effect is similar to shining a spotlight on the object. Subtracts either the адрес color from the base color or the base color from the blend color, depending on which has the greater brightness value.
The effect is similar to a workstation 14 device not showing up free negative. You cannot change the background clip to Erase and apply it because the object would appear invisible. The following examples illustrate how different blend modes affect the appearance of an image. The resulting effect of a blend mode might be considerably different, depending on the color of the underlying image and the type of blend mode you apply.
Original image. Hard Light. You cannot apply different blend modes to different graphic symbols because multiple xdobe symbols are merged as a single shape when you publish the SWF file. The blend mode is applied to the selected movie clip instance. Experiment with both the color and transparency settings of the movie clip or frames and the different blend modes to achieve the desired effect.
Legal Notices Online Privacy Policy. User Guide Cancel. About blend modes. A blending mode contains the following elements:. Blend color. The color applied to the blend mode.
The degree of transparency applied to the blend mode. Base color. The color of pixels underneath the blend color. Applies color normally, with no interaction with the base colors. Lets you stack movie clips on top of each other without affecting adobe animate cc layer opacity free color.
Adobe animate cc layer opacity free the base color by the blend color, resulting in darker colors. Multiplies the inverse of the blend color by the base color, resulting in a bleaching effect.
Multiplies or screens the colors, depending on the base colors. Commonly used to create an animated lightening dissolve vc between two images. Commonly used to create an animated darkening dissolve effect between two images. Inverts the base color.
Applies an alpha mask. Removes all base color pixels, including those in the background image. Blend mode examples. Apply a blend mode. To apply blends to selected frames and movie clips, use the Property Inspector.
Select the frame or movie clip instance on the Stage to apply a blend adboe to. Zdobe like this Change the color and transparency of an instance. Sign in to adobe animate cc layer opacity free account. Sign in. Quick links View all your plans Manage your plans.
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